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After befriending an old man in her town, Sage Singer is deeply shocked when he begs her for a terrible favour - until he shares his darkest secret with her. In the latest novel from master storyteller, Jodi Picoult, she asks: can evil ever be forgiven? And can murder ever be justified? An astonishing novel about redemption and forgiveness from number-one bestselling author Jodi Picoult. Sage Singer is a young woman who has been damaged by her past. Her solitary night work as a baker allows her to hide from the world and focus her creative energies on the beautiful bread she bakes. Yet she finds herself striking up an unlikely friendship. Josef Weber is a quiet, grandfatherly man, well respected in the community; everyone's favourite retired teacher and Little League coach. One day he asks Sage for a favour: to kill him. Shocked, Sage refuses. Then Josef tells her that he deserves to die - and why. What do you do when evil lives next door? Can someone who's committed horrendous acts ever truly redeem themselves? Is forgiveness yours to offer if you aren't the person who was wronged? And most of all - if Sage even considers his request - would it be murder, or justice?
- Modern & contemporary fiction (post c 1945)
- Publication Date:
- ALLEN & UNWIN
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brilliant and inspired
The Storyteller is the twenty-first novel by award-winning American author, Jodi Picoult. In this thought-provoking novel, Picoult follows her usual format of narration by different voices, but adds an allegorical story written by one of her characters. Reclusive baker, Sage Singer is a young woman scarred by her past and the guilt she carries. Josef Weber is a well-respected old man, a favourite teacher with a shocking secret and a unique request for Sage. Leo Stein is a lawyer with the Department of Justice who hunts war criminals. Minka Singer is Sages grandmother and a holocaust survivor. With this cast of characters, Picoult crafts a superb tale that will have the reader engrossed to the very last line. She brings her story to a breathtaking climax that leaves the reader wondering what they themselves might be capable of. Minka summarises it well when she says: ..there is good and evil in all of us. A monster is just someone for whom the evil has tipped the balance. As always, Picoults research is thorough, wide-ranging and apparent in every paragraph and includes holocaust survivors, concentration camps, mustard gas, baking, death marches, Jewish customs, Polish ghettoes, vampire myths, plant poisons, Nazi hunters, war crimes and gas chambers. Her portrayal of the creation of an SS officer is illuminating. Picoult always presents the reader with at least one dilemma and is an expert at sparking consideration of all sides of an issue. This novel will have the reader thinking about war crimes, vengeance, justice, deceit, repentance, what acts can (or cannot) be forgiven and who has the right to forgive. The most common dilemma with a Picoult novel, however, is this: read fast to know what happens next; or read slowly to prolong the enjoyment. While there is plenty of horror and heartbreak in this story, there is also incredible compassion and kindness, a bit of Haiku and some humour. The Storyteller provides undiluted reading pleasure. Picoult is brilliant and inspired, as always.
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