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Why Architecture Matters

Why Architecture Matters

by Paul Goldberger
Hardback
Publication Date: 01/11/2009

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$41.99
"Why Architecture Matters" is not a work of architectural history or a guide to the styles or an architectural dictionary, though it contains elements of all three. The purpose of "Why Architecture Matters" is to 'come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually' - with its impact on our lives. 'Architecture begins to matter', writes Paul Goldberger, 'when it brings delight and sadness and perplexity and awe along with a roof over our heads'. He shows us how that works in examples ranging from a small Cape Cod cottage to the 'vast, flowing' Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the highly sculptural Guggenheim Bilbao and the Church of Sant'Ivo in Rome, where 'simple geometries...create a work of architecture that embraces the deepest complexities of human imagination'. Based on decades of looking at buildings and thinking about how we experience them, the distinguished critic raises our awareness of fundamental things like proportion, scale, space, texture, materials, shapes, light, and memory.
Upon completing this remarkable architectural journey, readers will enjoy a wonderfully rewarding new way of seeing and experiencing every aspect of the built world.
ISBN:
9780300144307
9780300144307
Category:
Theory of architecture
Format:
Hardback
Publication Date:
01-11-2009
Publisher:
Yale University Press
Country of origin:
United States
Pages:
288
Dimensions (mm):
210x140x30mm
Weight:
0.43kg
Paul Goldberger

Paul Goldberger, whom The Huffington Post has called “the leading figure in architecture criticism,” is now a contributing editor at Vanity Fair. From 1997 through 2011 he served as the architecture critic for The New Yorker, where he wrote the magazine’s celebrated “Sky Line” column. He also holds the Joseph Urban Chair in Design and Architecture at The New School in New York City. He was formerly Dean of the Parsons school of design, a division of The New School. He began his career at The New York Times, where in 1984 his architecture criticism was awarded the Pulitzer Prize for Distinguished Criticism, the highest award in journalism.

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