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The Swerve

The Swerve

How the World Became Modern

by Stephen Greenblatt
Hardback
Publication Date: 06/09/2011

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One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.

Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius-a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.

The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.
ISBN:
9780393064476
9780393064476
Category:
General & world history
Format:
Hardback
Publication Date:
06-09-2011
Language:
English
Publisher:
WW Norton & Co
Country of origin:
United States
Pages:
368
Dimensions (mm):
244x165x33mm
Weight:
0.68kg
Stephen Greenblatt

Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He is the author of twelve books, including The Swerve: How the World Became Modern, which won the National Book Award and a Pulitzer Prize, as well as the New York Times bestseller Will in the World: How Shakespeare Became Shakespeare and the classic university text Renaissance Self-Fashioning.

He is General Editor of The Norton Anthology of English Literature and of The Norton Shakespeare, and has edited seven collections of literary criticism.

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