Born in Tel Aviv in 1954, Barry Frydlender has been exploring the potential of digital technology for more than a decade, and over the past five years his experiment has gathered momentum. Each of his panoramic photographs is put together from dozens, sometimes hundreds, of shots that may have taken minutes or months to accumulate. Filled with people and things, these works reward slow, patient looking, and the invitation to do so is especially pertinent to the pictures reproduced in this book, which is published to accompany a major exhibition at MoMA this summer.