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Critical Race Theory and Copyright in American Dance

Critical Race Theory and Copyright in American Dance

Whiteness as Status Property

by Caroline Joan S. Picart
Paperback
Publication Date: 07/11/2013
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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
ISBN:
9781349458196
9781349458196
Category:
The arts: general issues
Format:
Paperback
Publication Date:
07-11-2013
Publisher:
Palgrave Macmillan
Country of origin:
United Kingdom
Pages:
243
Dimensions (mm):
216x140x14mm
Weight:
3.26kg

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