The sexually charged works of Louise Bourgeois and Hans Bellmer reveal remarkable parallels, even though the artists never actually met. Louise Bourgeois (19112010) skeptically examined the traditional image of women, Hans Bellmer (19021975) created in the puppet an idea woman in which all his desires and fantasies are reflected. This publication establishes for the first time a dialogue between two artists, which are marked by the views of a male and female artist, respectively, as well as by personal obsessions and desires.