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Hot Little Hands

Hot Little Hands 1

by Abigail Ulman
Paperback
Publication Date: 25/02/2015
4/5 Rating 1 Review

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Claire is good at beginnings.

Mid-twenties and mid-PhD, she's moved halfway around the world to San Francisco - where the line between adolescence and adulthood is blurry, and every night feels new. Too smart to be serious, she divides her time between her friends, her band, her ex-boyfriend, potential new boyfriends, whiskies with beer backs, and occasionally her thesis. And then, by accident, life starts to get messy.

Hot Little Hands contains nine funny, confronting and pitch-perfect stories about stumbling on the fringes of innocence, and the marks desire can leave. Anya, in her fake-leather sneakers and second-hand clothes, just wants to fit in at her Melbourne school.

Ramona, with her suburban family and clique of friends, is just starting to stand out. Sascha is on the brink of discovery; Elise and Jenni are well beyond it. Amelia will do absolutely anything to avoid writing her book. And Kira wants to capture the world, exactly as she sees it, with her brand-new camera. There are tales about now - about first encounters with lasting impressions, and break-ups that last longer than the relationships; about a time when late-night text messages are considered a courtship, and the most personal secrets get casually revealed online. It is the debut of a striking, wry, utterly fresh new voice in Australian literature.

'The stories are beautifully paced, the dialogue perfect. Ulman knows how to write a story, manage a build-up, hold your attention, suggest that somehow nothing much is happening while, in fact, everything is going on. I love how up-to-the-minute and street-wise the stories are, and how frank about sex and girls. This is a book which I think girls will relish, guys will need to read in order to know what girls are really thinking about, and every parent will need to keep by their bedside, especially at the weekend, so they can be fully reassured that their young daughters are having a truly good time.' – Colm Toibin

'Funny, utterly absorbing, sad, brilliant, troubling in all the right ways. The stories connect to both the child and the adult in these girls, and in the reader too - I found myself lurching between embarrassed recognition and distant familiarity. Powerful, disturbing stuff - and also laugh-out-loud hilarious at times. Ulman has brilliantly mixed these different registers together into the one collection to capture something of the drama and joy and trauma of being young and female.' – Ceridwen Dovey

'There's not one thing wrong with these stories . . . Ulman's ability to lure readers to a slow dawning is a rare skill . . . Finding nine killer short stories linked by theme is a difficult task, even for a writer with decades under her belt. If this is what Ulman is already capable of, Hot Little Hands will prove the start of a stellar career.' – Saturday Paper

'You wince at some of the things the girls say, you fear for them, you barrack for them because - and this is testament to Ulman's talent - they come to life on the page. There is a deftness in the creation of these voices, these characters as negotiating new places and events they don't fully understand.' – Jason Steger, The Age

'Hot Little Hands is brilliant, disquieting, hilarious and full of joy. Abigail Ulman is a master storyteller.' Michaela McGuire 'Full of unsettling and glorious portrayals of female desire, these women are conflicted, fierce, funny and strikingly familiar. Ulman has an immense talent for writing authentic voices.' – Emily Sexton, head of programming at The Wheeler Centre

'Sharp, often funny, and packs an emotional punch . . . there's a compelling freshness and energy in these stories that makes them an addictive read.' – Readings

ISBN:
9781926428239
9781926428239
Category:
Short stories
Format:
Paperback
Publication Date:
25-02-2015
Publisher:
Penguin Australia Pty Ltd
Edition:
1st Edition
Pages:
304
Dimensions (mm):
232x154x25mm
Weight:
0.46kg

Chapter Extract
 

Chagall's Wife

I had never before bumped into a teacher on the weekend. But there he was, sitting at the counter in the window, and I slowed down to take it all in: the face that looked more relaxed than it usually did, the late breakfast in front of him, the hardcover book in his hand with the library tag on its spine. Through the glass I saw him slide something off his fork with his mouth. I felt his eyes land on me the second I took mine off him. I drew in a breath, and went inside.

I took a seat next to the wall and sipped my juice through a straw, flipping through every page of a magazine without taking my eyes off his back. Dressed down for the weekend, he was wearing a pair of faded black jeans and a khaki jacket. His dark hair, usually as carefully arranged as his desk, was ruffled on one side, as though he hadn't even checked it before heading out that morning. When the waitress came to collect his plate, I saw her brush her arm against his as she reached over him. He looked up and smiled and said something before going back to his book.

Under the fluorescent lights in the toilets, I rubbed some gloss into my lips. I yanked my hair out of its ponytail, ran my fingers through it, and arranged it over my shoulders. It was dirty blonde, and dirty. I tied it back up. My jeans were good and new and tight, but the grey hoodie that showed a stripe of stomach kept going from daggy to cute and back again. I narrowed my eyes at my reflection. Whatever you do, I told myself, don't mention tampons.

'Mr Ackerman.'

'Sascha, hello.'

'I saw you earlier, when I walked in.'

'Ah, yes.'

'You saw me, too. Why didn't you say hi?'

'I don't know. I suppose I thought you might have better things to do on a Saturday than chat to your daggy old science teacher.'

'You're not daggy.' I lap-danced my eyes over his weekend stubble, the grey T-shirt, his right hand, which was tugging at the leather band of his wristwatch. 'What are you drinking?'

'It's an affogato.'

'What, like the vegetable?'

'No, it's a coffee drink. Kind of like a spider for grown-ups.'

'I see.' I leaned one hand on my hip and sucked my bottom lip under the top one until it disappeared. Mr Ackerman looked down to the floor, where one of my sneakers was standing firmly on top of the other. Then he looked around the café, at the other people sitting there, reading newspapers or quietly chatting, and back at me.

'Would you like to try one?'

I perched on the stool next to his and leaned my elbows in front of me. We kept our eyes on the street. It was early afternoon in the middle of autumn, and the sun was bright but stingy with its warmth. A woman walked past pushing an empty pram; she was talking on mobile phone. Our silence was long and expectant, like the minutes her between the snooze button and the return of the alarm.

'So,' I spat out, 'sorry about the tampons.'

'Oh, don't worry about that,' he said. 'You've done your time.'
 
Every year since Year Seven, a nurse had come to science class to talk about periods and menstruation. We were never warned beforehand; it was always just sprung on us at the beginning of the lesson. They'd schedule it for first term so the weather was still warm enough for the boys to go play sport with Mr Ackerman on the oval, while the girls were forced to sit again through the same embarrassing question time; the same video with the same girls wearing eighties hairstyles and fashion, back when it was really the eighties and before it was cool again.

This year when the boys returned after the talk, Sam Geary and Sam Stewart had snatched the box of complimentary Tampax off my desk. I was too embarrassed to ask for it back. While Mr Ackerman was out saying goodbye to the period lady, the boys had unwrapped the tampons, wet them under the tap and thrown them up at the ceiling, where they'd stuck, the strings hanging down above us for the rest of the lesson like the stalactites we'd learnt about the year before.

Later that afternoon, the tampons had dried up and started dropping, one by one, onto the floor and the heads and desks of Mr Ackerman and his Year Eight students. I wished I could have seen it. We were halfway through English class, and the boys were excused and the girls told to produce their tampon boxes right there and then. Of course, I was the only one who didn't have mine, so I got sent to Mr Ackerman's office, where I stood in front of him and told him with a straight face that I had got my period that day and had used them all up already.

'All of them?' he'd asked.

'Two at a time,' I'd said.

Unfortunately for me, Miss Nesbit, the swimming teacher, had been keeping track of our cycles so we couldn't use the same excuse every week. When consulted, she had divulged that I wasn't due for another fortnight. I wasn't about to dob on the Sams, so I'd sat through detention every Thursday afternoon for a month.
 
When my drink came, I started eating the ice-cream out of it with a teaspoon. Mr Ackerman told me in his class voice to stir it in so it would sweeten the coffee. I left it to melt and reached for the sunglasses sitting next to his book and keys.

'Are these yours?' I asked, putting them on. They were too big for me. The arms reached way beyond my ears and I had to press the lenses to my face with my fingers to stop them falling off. The world looked blue from beneath those glasses, like science fiction. 'They're so – blingy.'

'I don't know about that.' He smiled for the first time, his face stubbly, and blue now, too. 'I've had those since I was at university. They're almost as old as you are.'

I kept them on while I tasted my coffee. It was bitter and strong, and it made me cough so hard my throat stung. I pushed it aside. By the time we stood up to go, the ice-cream had floated to the top and was sitting on the surface, solidifying.
 
 
Mr Ackerman was shoving his wallet into his pocket when he came outside to where I waited on the kerb.

'Well, thanks for the company.'

'Thanks for the coffee.' I took a step closer. He looked away from me, to the traffic in the street. 'I didn't expect to see anyone I know hanging out on this side of town.'

He looked down at me with a small smile. 'I live on this side of town.'

'Oh, really? With your wife?'

'No, with my parents. I'm just here temporarily. On Charles Street.'

'Is that where you're going now, then? To your mum and dad's?'

'No, actually, I was planning to go over to the NG—'

'I could come,' I cut in, lowering my voice, my eyes still on his. 'I've got nowhere else to be.'
 
On the tram, I sat down while he went to buy himself a ticket. When he came back, he stood across the aisle from me and tilted his head to look out the opposite window. I looked, too.

'Think it'll rain?' I asked without caring, and he shook his head.

'Nah,' he said.

At a tram shelter outside, a few girls were laughing and backing away from another girl, who was sitting on the bench, pulling off her jumper. She was red-faced and laughing, too. A bird probably shat on her, I thought.

'Where are your friends today?' Mr Ackerman looked over at me.

'Uh, Amy's at drama lessons. Nat's babysitting. Courtney's at home, she's still got glandular.'

'And your family? How come you're out by yourself?'

'My parents are in Portsea. We've got a place down there.'
 
'Ah, yes,' he said, as though he'd known that already. He had his sunglasses on now, so I couldn't see his eyes. More than half the seats around me were empty but he stood the whole way there, his arm reaching above his head, past the swaying handles, to hold on to the rail.
 
The security guard and I played the game: he pretended not to be checking me out while I pretended not to notice. My teacher went to the cloakroom, and I stopped at the first picture and checked my reflection in the gold frame. Why, I wondered, couldn't I have just drunk the stupid coffee?

'A monogamist.' Mr Ackerman had come up behind me.

'Sorry?'

'Chagall. He loved his wife very much.' He leaned in close to the painting. 'That's her up there, see? She's flying. And there he is, on the ground below, waiting for her to come down. Hoping to catch her. He put her in all his work.'

He walked on to look at the next one and I watched him go. For a science teacher he seemed to know a lot about art. I, on the other hand, didn't feel like learning schoolish things on the weekend. I dragged myself from painting to painting, ignoring the essay-long inscription next to each one, staring at the colours till they blurred before my eyes. I made inkblot tests of them all. Instead of a tableful of angels, I saw a close-up of a mouth with teeth falling out. I turned a juggling bird into a woman belly dancing. A bunch of doves in a tree became soggy tampons just hanging there.

But it was true what Mr Ackerman had said, about the guy's wife. She was all over the place. First she lay draped naked over a tree of roses. Then she was dressed as a bride with a long veil, holding a baby in her arms. And later she wore a housedress, and the two of them floated together above the orange floor of their kitchen.

I finished the room quickly and wandered out to the foyer. That's where Mr Ackerman found me fifteen minutes later, sitting on a cushioned bench with my legs tucked under me, staring at the floor and pressing the pad of my thumb up onto the roof of my open mouth. He sat down beside me.

'I don't get what he saw in her,' I said. 'I mean, she was nothing special, as far as I could see. She had no fashion sense whatsoever and she was probably double his size.'

'Maybe Chagall liked substantially sized women,' Mr Ackerman said. He laughed when I rolled my eyes at him. 'You've had enough, Miss Davies. You want to go home.'

'I want to eat.' I pulled myself to my feet. 'I haven't had anything all day.'
 
He knew a place in Southbank that was nice and quiet, with white tablecloths and waiters in half aprons. He furrowed his brow over his menu like he did in class when someone gave a wrong answer, and he chose my meal for me because I couldn't decide. Then he asked me what had brought me to the 'wrong side of town'.

So I told him about the formal dress, and the sewing lady at my dad's factory who had put straps on a strapless gown, and how I wished I'd just gone to Chapel Street and bought something off the rack like all the other girls had, because now I didn't even think I should go to the formal because I'd probably be the only one in straps. He was silent through all this, looking around the room at the empty tables, the waiters chatting near the kitchen, then out the window at the river.

'What's wrong?' I asked.

'Oh. Nothing. It's just a little strange, I suppose, sitting here.'

'Do you want to go to the food court?'

'No. I just – I haven't eaten out in a restaurant for a long time. But this is nice. This is fine.' He looked at me. 'You're hungry.'

'I'm ravished,' I said, and he nodded and smiled down into his bread plate.
Halfway through our risottos, I finally got up the nerve to ask him if he was married. He had been, he told me, for three years, but it was over now and he didn't say why.

For a while after the divorce, he told me, he had stopped reading books. He couldn't sleep properly either. For the longest time, he said, he would go to see movies, dramatic movies, and keep his eyes closed the whole way through. Just so he could be moved by the music. I asked him why he didn't just stay home and listen to songs in the dark, and he said he liked the ritual of buying the ticket, smiling at the popcorn sellers in their vests, and sitting among the couples and groups of kids who didn't bother turning off their phones before the main feature started. He said he liked the way the score kept up throughout a film, dipping and rising, like someone's chest as they lay sleeping. It was cathartic, he said.

'Like, calming?' I asked.

'No,' he said. 'More like healing.'

'So now you read books again?'

'Yes, I've started to. And I guess I'm becoming more social.'

I had waited through the last few hours for him to tell me something about himself, something personal like this, but now that it had happened, I didn't know how to respond.

As he talked, I found myself imagining the scene at home when I got back. The quiet that would greet me once I'd shut the big door behind me. The laughter of my sisters coming from somewhere in the back of the house. I saw myself going to the pantry and standing there, surveying the shelves full of lunchbox food: Le Snaks, fruit leathers, apple purees and twelve-packs of Twisties. Leaving the kitchen without taking anything,

I would sneak upstairs to my room unnoticed and lie on my bed, fully clothed, with my schoolbooks open on the desk, Natalie Portman grinning down off the wall, and the duct on the ceiling slowly exhaling its heat into the room.

'Excuse me, sir, this card's been declined. Did you want me to try it again or use an alternative method of payment?' The waitress stood beside him with her hands behind her back. The two of them looked down at his card lying on the tablecloth.

'Uh, give me a second.'

'Of course.' She unclasped her hands but stayed where she was. Mr Ackerman fumbled through his pockets.

'Shit,' he murmured. I bit down on the inside of my lip. I shouldn't have eaten a main course, I thought, should have asked for a soup or salad. I shouldn't have said I was hungry in the first place.

'I have some money,' I said. I took out a twenty and two fives, and handed them to him.

'Thanks, Sascha. I'll pay you back. I have the money, it's just in a different account and I have to transfer it.'

When the waitress came with the change, neither of us touched the two-dollar coin on the plastic tray. The kitchen staff were loitering near their window, looking out at us. What are they thinking? I wondered. She's too old to be his daughter, probably, and too young to be his sister. I wondered what they'd finally decide.
 
Outside, a chilly afternoon wind had started blowing, and the clouds over the city were threatening something worse. We walked among the Saturday shoppers, all searching the sky for a sign of what might come next.

By the time we reached Collins Street, it was spitting, and I tried to lead him into a shoe shop.

'Don't worry,' he told me. 'It'll clear up any second.' But a few blocks later, it had turned into a downpour, and the wind was so strong it was sucking people's umbrellas up into tulip shapes. 'Here.' He pulled me into a building and we stood inside the doorway, staring out at the water thrashing onto the road. We looked at each other, the rain streaming down our faces, and laughed.

We had walked into the foyer of an old-school theatre. There were a few people sitting along the wall, reading or staring out at the rain, paying us no attention. There were posters behind them advertising films

I'd never heard of, and the candy bar consisted of a basket of mixed-lolly bags, selling, the handwritten sign told us, for a dollar fifty each.

The woman at the box office was glaring at us, as though we should be paying for the privilege of taking refuge in her dingy little foyer. As though he agreed, Mr Ackerman went over and asked when the next session started.

'There's one just started at four,' she told him. 'Or the next one's at five-thirty.'

'Should we hide out till the rain stops?' he asked me, and they both watched me nodding.

'One adult and one child?' She coolly met his eyes.

'Student.' We both reached for our wallets. 'One adult and one student.'
 
The movie was a foreign one, old and black and white, and as we sneaked in he whispered that he'd seen it before. The plot was non- existent and there were no effects or celebrities, it was just people talking. I ignored the subtitles and studied the main girl, who had cropped hair and sold newspapers on the street. I wondered if he found her attractive. Probably, but why? I was yet to work out exactly what it was that guys found sexy in women, but I knew whatever it was, I had it. My body was still boyish and small and straight up and down, but I knew that it was interesting to men. Not necessarily the guys from school, but other men.

I'd known this fact for two years now, since the day on the train.

I had felt them before I saw them, the man's eyes on me. I had been sitting across from him and his family and looking out the window behind them, at the back fences and side streets, and the lights being turned off

in small office buildings. Then, with a snap like a rubber band, I felt the heat of his gaze, and shifted mine until we met.

It had been a Tuesday evening and I was twelve years old, heading home from school with my mind on homework and netball and Survivor, and then suddenly this man had found me, my reflection in the window, and held me there. His arm was thrown around his wife's shoulders and she fussed with the two small kids beside her.

'Don't do that!' She slapped the toddler's hand from its nose. The man smirked at me in the window and raised his eyebrows.

I don't know how long we sat like that for. My house was pretty close to school, so it couldn't have been longer than five minutes. But I knew as I sat there in my uniform, my nipples growing hard, my cheeks hot, the terrible secret passing between me and the stranger, that I was being admitted into a new world – that I was growing old or dying or changing or something. A sensation passed over me then, like insects crawling around on my back.

That was the first time. Since then, I had started a list in a notebook in my room of other things that gave me that sensation. Like 50 Cent videos on MTV. A car crash I saw happen on Glenferrie Road. An article I read about peacekeepers and refugees in Africa. Being on a tram without a ticket when the inspectors climbed on. The faces of people waiting outside nightclubs on weekends. A porn site I'd found open on my dad's computer when I was checking my email in his study one night. And standing in front of Mr Ackerman in his office and lying to his stern face that I had been shoving tampons up into my vagina, two at a time.

And so today, walking down Smith Street, when I'd glanced up from the footpath and seen him sitting there in the window, looking both strange and familiar, like photos of my parents when they were young, I had felt it: the heat, the hardness, the insects. I had turned into the café without missing a beat, as though this were a movie and I was only just now being shown the script. I had had the sudden and full knowledge that there was a reason that I had been admitted into this new world; that here, today, later today, sometime, Mr Ackerman was going to take this feeling to its real and necessary ending.

In the flicker and dark of the movie, I closed my eyes. There was no soundtrack but I listened to the up-and-down lilts of the language as though it was music. I leaned my head onto his shoulder. His jacket still held the cold of the rain and it smelled like outside when I breathed into it. Mr Ackerman put his hand on my hair and stroked it. I felt dizzy and humid, like I was flying above myself in the dark. I imagined him standing below me like that painter guy, getting ready to catch me before I hit the ground.

'Mr Ackerman,' I whispered, my teeth against his jacket.

'Are you tired, Sascha?' His mouth found my ear and he took his eyes off the screen. 'Or do you want to go somewhere else?'


Hot Little Hands Book Club Questions:

  1. In ‘Chagall’s Wife’ Sascha is struck by the way Chagall paints his wife into his pictures, but claims she doesn’t know what he saw in her. ‘She had no fashion sense whatsoever and she was probably double his size’. How important is attractiveness to Sascha’s own sense of being desired?
  2. Claire features in three stories throughout Hot Little Hands. How do you think she has changed by the end of the book?
  3. In ‘Head to Toe’ Jenni and Elise suddenly withdraw from all their normal social activities. Do you think they find what they’re looking for at horse camp?
  4. This collection juxtaposes the day-to-day issues of privileged protagonists (such as Claire) with more crucial problems such as language barriers and sexual exploitation. How do you think these stories complement each other?
  5. Claire is friends with musicians, academics and baristas who frequent the hipster share-houses, cafés and bars of San Francisco. Would these stories be the same in a different setting?
  6. In many of these stories (such as ‘Same Old Same As’, ‘Warm Ups’ and ‘Chagall’s Wife’), the truth remains undisclosed or outside the story. Why do you think the author does this? Does it frustrate you as a reader?
  7. Consider the families featured throughout the collection. Discuss the way Ulman’s characters are shaped by their families, and their families’ reactions to the young women’s growing independence.
  8. In ‘Head to Toe’ Jenni says, ‘I’m so glad I’m not eleven any more.’ Discuss the different social pressures that affect Jenni and Elise as opposed to the younger girls at horse camp. 
  9. Discuss the way that Claire and her friends are all trying to represent themselves, whether through tattoos, social media, missed connections ads. Are these attempts to define themselves as individuals or to belong to a group?
  10. Age plays a key part in the relationships in ‘The Pretty One’ and ‘Chagall’s Wife’. Why might the age difference appeal to (or repel) each of the characters in these stories?
  11. Many of these stories feature young women coming of age. In what ways do Claire and Amelia face or avoid conventional hallmarks of adulthood?
  12. We don’t tend to filter our emotions towards our families as we do towards our friends – Amelia, Claire and Ramona, for example, all arguably treat their siblings with, at best, concealed irritation and, at worst, contempt. Why do you think they find it easier to relate to their friends? 
  13. Social media features in almost all of the stories. In what ways does this tie the stories together? How do the characters use social media differently? How does it reflect the general and particular issues they face? (E.g: fitting in with peer groups, connecting to friends, maintaining a creative outlet)
  14. How do Claire’s previous experiences leave her ill-equipped to deal with her incarceration in ‘Your Charm Won’t Help You Here’? What would you have done if you had been in this position?
  15. Abigail Ulman’s collection has been compared to Lena Dunham’s TV series Girls. Do you think this is a fair comparison? What correlations or contrasts do you see between the two?  

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1 Review

'Hot Little Hands' by Abigail Ulman is a collection of (nine) short stories all centered around young, female protagonists. The stories are full of meaningless sex, dysfunctional relationships and characters who are a little careless. In many cases these women are definitely what many would consider the 'young modern female' to be like in the 21st century. I would certainly say that Ulman has done a superb job in exploring what it is like to be young in modern times, especially what it is like to be a woman navigating through modern life.

It was interesting to be taken to their world while reading and I thought the writing was strong. It was difficult to empathize with the characters at times, but perhaps that's just because I'm different to them.

I'd certainly give this book a go. It was vivid and strong and will certainly be a 'hot' read for many readers out there.

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