Involution- An Odyssey Reconciling Science to God. This book has been called '...a brilliant and profoundly erudite epic...a heroic intellectual tour de force...' (by David Lorimer, the Director of the Scientific and Medical Network) and both 'brave...and totally insightful (by Ervin Laszlo) but the book defies description; it breaks all the rules and is unlike any other. It is so comprehensive in its sweep, original in its writing, and its synthesis, that to isolate any aspect is to misrepresent all the others. Two companions, Reason and Soul, invite the reader to accompany them on a light-hearted poetic journey through the chronology of Western thought to uncover a bold hypothesis: that the evolution of science has been shaped by its gradual and accelerating recovery of memory (involution). That recovery has been led by the inspired maverick genius, moving backwards through time (usually called the past), but which has provided science's future at every moment of new creative thought. Scientific inspiration and its chronology mirrors evolution. This incremental excavation and transfer of memory to intellect implies the pre-human encoding (involution) of consciousness in the structure of matter, and the interconnected consciousness of all life. DNA is the likely encoding and mediating molecule, or resonant coherence of this information, through both time and space. The sweep of history is needed to expose this proposal and its evidence: It requires all the disciplines of science, all the epochs of thought: which only a poetic economy 'woven together with extraordinary subtlety' (Lorimer) could convey. Yet, paradoxically, through involution the collective journey has been lit by individuals, unique in their subjective contributions to the discipline that claims only 'objective' validated truth. The same pattern is mirrored in the congruent history of painting and musical composition. Genius differs only in the languages of expression. This book loosely weaves them all, using familiar material to arrive at an art, a science and divinity behind science. In nine swift Cantos the work travels through pre-human involution, the enfolding of consciousness in matter, and then early man's emergence on the Serengeti. Through the recorded civilizations of Greece, Rome, the Dark Ages, the Renaissance, into the Enlightenment and finally Modernism the success of science progressively obscures the internal story, the story of direct intuition, nous, experience, and the complement to Darwin that this collective involution provides. But there is more to it than merely science; for science is a language through which to follow a deeper journey, Mankind's collective journey inwards, to the nature of himself: which is why the scientific signposts are confined to end-notes to leave the poetic journey unencumbered. They take no scientific knowledge for granted: they are not essential to the poetic narrative but instead caulk the ship from which we view an alternative journey. By adding involution to evolution, mind and matter become two sides of a single coin, only perceived as distinct through the intellect's division from its deeper self, from consciousness, experience, and understanding. The co-creation of God and the universe is what this book restores and is about. It has been called a 'heroic tour de force, a brilliant and erudite epic...' but also 'clearly written and easy to read' It slaughters a few sacred cows, 'brave and a lot of fun.
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