"Each play I see by Phyllis Nagy confirms me in the belief that she is
the finest playwright to have emerged in the 1990s" (Alistair Macaulay,
Financial Times)
Nagy's
latest play is a blend of chilling humour and surrealism,
interconnected issues of sex, truth, sincerity, psychology and mystery.
"Whereas
much contemporary playwriting is egregious, anorexic, short-winded and
uncluttered, Nagy writes sinuously and elegantly, working towards a
theatrical coalescence of plot, dialogue and swiftly changing scenic
representation that is as exciting as it is unusual" (Michael Coveney)
the finest playwright to have emerged in the 1990s" (Alistair Macaulay,
Financial Times)
Nagy's
latest play is a blend of chilling humour and surrealism,
interconnected issues of sex, truth, sincerity, psychology and mystery.
"Whereas
much contemporary playwriting is egregious, anorexic, short-winded and
uncluttered, Nagy writes sinuously and elegantly, working towards a
theatrical coalescence of plot, dialogue and swiftly changing scenic
representation that is as exciting as it is unusual" (Michael Coveney)
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