In the mid-1950s, declaring "there is no reason not to consider the world as a gigantic painting," Robert Rauschenberg began a series of radical experiments with what he called "Combines," a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. "Canyon" (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. "Canyon" is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.
- ISBN:
- 9780870708947
- 9780870708947
- Category:
- Art & design styles: c 1900 to c 1960
- Format:
- Paperback
- Publication Date:
- 20-01-2014
- Language:
- English
- Publisher:
- Museum of Modern Art
- Country of origin:
- United States
- Pages:
- 48
- Dimensions (mm):
- 230x185x5mm
- Weight:
- 0.2kg
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