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Shakespeare Between Machiavelli and Hobbes

Shakespeare Between Machiavelli and Hobbes

Dead Body Politics

by Andrew Moore
Paperback
Publication Date: 01/05/2018

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Shakespeare between Machiavelli and Hobbes explores Shakespeare's political outlook by comparing some of the playwright's best-known works to the works of Italian political theorist Niccolò Machiavelli and English social contract theorist Thomas Hobbes. By situating Shakespeare 'between' these two thinkers, the distinctly modern trajectory of the playwright's work becomes visible. Throughout his career, Shakespeare interrogates the divine right of kings, absolute monarchy, and the metaphor of the body politic. Simultaneously he helps to lay the groundwork for modern politics through his dramatic explorations of consent, liberty, and political violence. We can thus understand Shakespeare's corpus as a kind of eulogy: a funeral speech dedicated to outmoded and deficient theories of politics. We can also understand him as a revolutionary political thinker who, along with Machiavelli and Hobbes, reimagined the origins and ends of government. All three thinkers understood politics primarily as a response to our mortality. They depict politics as the art of managing and organizing human bodies-caring for their needs, making space for the satisfaction of desires, and protecting them from the threat of violent death. This book features new readings of Shakespeare's plays that illuminate the playwright's major political preoccupations and his investment in materialist politics.
ISBN:
9781498514095
9781498514095
Category:
Political science & theory
Format:
Paperback
Publication Date:
01-05-2018
Language:
English
Publisher:
Rowman & Littlefield Publishing Group, Incorporated
Country of origin:
United States
Dimensions (mm):
230.12x151.89x15.75mm
Weight:
0.29kg
Andrew Moore

Moore's photographs have been acquired by numerous museums in the United States and internationally, including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Library of Congress, the Israel Museum, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, Yale University Art Gallery, and the Detroit Institute of Arts, among others. This new book will be his seventh monograph, alongside Inside Havana (2002, Chronicle), Russia (2005, Chronicle), Detroit Disassembled (2010, Damiani), and Cuba (2012, Damiani) and Dirt Meridian (2015).

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