account of the influence of actors such as Kemp, Armin, and Burbage, not simply on individual characters in Shakespeare's drama, but on the structure of his plays as a whole. It examines other writers,
including Marlowe, Jonson, and Fletcher, and offers a new account of the place of co-authorship in the playwright's career. An original picture thus emerges of Shakespeare as a theatrical collaborator, investor, poet, and performer on the English stage.
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