How are film and television related to one another in our contemporary moment of industrial and cultural convergence? And how do they interact in ways that tell us about their definitions in contemporary, post-Netflix mediated culture? Focusing on interactions between the two media in the 21st century - in the form of adaptations, texts about one another, production cultures, and corporate relationships and strategy - Johnson and Gray take a cultural studies approach to chart the nature of film and television's relationship at this historical conjuncture. Examining a diverse range of shows and films, including Amchorman, The Truman Show, Veronica Mars, Star Trek, the X-Files, Baywatch and beyond, chapters examine issues of quality and value, industrial strategy, the textuality of adaptation, and an apparent cultural need to think in terms of distinct media.