What was absolutism, and how did it work? What was the function of the ostentatious display surrounding Louis XIV at Versailles? What is gained--and what is lost--by approaching such expressions of absolutism as propaganda, as present-day scholars tend to do?

In this sweeping reconsideration of absolutist culture, Hall Bj rnstad argues that the exuberance of Louis XIV's reign was not top-down propaganda in any modern sense, but rather a dream dreamt collectively, by king, court, image-makers, and nation alike. Bj rnstad explores this dream through a sustained close analysis of a corpus of absolutist artifacts, ranging from Charles Le Brun's famous paintings in the Hall of Mirrors at Versailles via the king's secret M moires to two little-known particularly extravagant verbal and textual celebrations of the king. The dream of absolutism, Bj rnstad concludes, lives at the intersection of politics and aesthetics. It is the carrier of a force that emerges as a glorious image; a participatory emotional reality that requires reality to conform to it. It is a dream, finally, that still shapes our collective political imaginary today.