Drawing on the family's vast archive, Randolph describes the Bakunins' attempts to live up to this ideal and to convert their new home, Priamukhino, into an example of modern civilization. In particular, Randolph shows how the Bakunin home fostered the development of a group of charismatic young students from Moscow University, who in the 1830s sought to use their experiences at Priamukhino to reimagine themselves as agents of Russia's enlightenment. Some of the story Randolph tells is familiar to historians. The anarchist Mikhail Bakunin, whose early philosophical evolution Randolph describes, was born at Priamukhino, while the radical critic Vissarion Belinsky claimed to have been transformed by his experiences there. When Tom Stoppard sought to portray the spiritual history of the Russian intelligentia in his trilogy, The Coast of Utopia, he chose Priamukhino as the scene for act 1. Yet Randolph's research allows us to watch this drama from a radically different perspective.
It shows how the culture of Russian Idealism-so long presumed to be a product of alienation-actually relied on the support provided by the cult of distinction that the Russian government had built around noble homes. It also allows us to see the other actors and agents of private life-and most notably, the Bakunin women-as participants in the creation of modern Russian social thought. The result is a work that revises our understanding of Russian intellectual history while also contributing to the histories of women, gender, private life, and memory in nineteenth-century Russia.
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