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The Silence of the Archive

The Silence of the Archive

by David ThomasSimon Fowler and Valerie Johnson
Hardback
Publication Date: 01/12/2016

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$261.95

This new book provides a ground breaking discussion of a major but little considered issue - the silence of the archive: why archives, sometimes seen as the repositories of truth, often fail to satisfy users because they do not contain information which they expect to find.

Silences range from details of individuals' lives to records of state oppression or of intelligence operations. The book brings together ideas from a wide range of fields, from contemporary history through family history research to Shakespearian studies. It describes why there are these silences, what the impact of them is, how researchers have responded to them and what the silence of the archive means for researchers in the digital age.

The Silence of the Archive marks the first time that the question of silence in the archives has been discussed holistically and from a broad perspective, looking at causes, responses and implications both for researchers and for the archive itself.

Key chapters include:

enforced silences

inappropriate selection

dealing with the silence

possible solutions

the meaning of the silences


Readership

: This book will be useful reading for professional archivists, postgraduate and undergraduate students of history, archives, librarianship and information studies, as well as academic and other users of archives.

ISBN:
9781783301560
9781783301560
Category:
Library
Format:
Hardback
Publication Date:
01-12-2016
Language:
English
Publisher:
Facet Publishing
Country of origin:
United Kingdom
Dimensions (mm):
239.73x160.32x17.48mm
Weight:
0.19kg
David Thomas

David Thomas was born in the Garden City of Ballarat and grew up surrounded by flowers. In later years, as the inaugural director of Carrick Hill in Adelaide, he combined his love of art and flowers in the development of this magnificent bequest to the people of South Australia. In writing on the art of Criss Canning, he has once again indulged in this joint love, exploring the beauty to be found in the creativity of one of Australia's most gifted painters of still life. In addition to books on Rupert Bunny and Andrew Sibley, David Thomas writes widely on Australian art, contributing articles to numerous publications, essays for art auction and exhibition catalogues, as well as entries on Australian artists, colonial to contemporary, for the German international art dictionary, 'Allgemeines Künstlerlexikon'.

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