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The Turn of the Screw

The Turn of the Screw 1

by Henry James and David Bromwich
Paperback
Publication Date: 12/09/2011
3/5 Rating 1 Review

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A new edition of James's chilling novella, edited by David Bromwich

'The apparition had reached the landing half-way up and was therefore on the spot nearest the window where, at the sight of me, it stopped short'

The Turn of the Screw tells the story of a young governess sent to a country house to take charge of two orphans. Unsettled by a sense of intense evil in the house, she soon becomes obsessed with the idea that something malevolent is stalking the children in her care.
ISBN:
9780141441351
9780141441351
Category:
Classic fiction
Format:
Paperback
Publication Date:
12-09-2011
Language:
English
Publisher:
Penguin Books Ltd
Country of origin:
United Kingdom
Pages:
176
Dimensions (mm):
198x129x9mm
Weight:
0.13kg
Henry James

Henry James was born in New York in 1843 and was educated in Europe and America. He left Harvard Law School in 1863, after a year's attendance, to concentrate on writing, and from 1869 he began to make prolonged visits to Europe, eventually settling in England in 1876.

His literary output was prodigious and of the highest quality: more than ten outstanding novels, including The Portrait of a Lady and The American; countless novellas and short stories; as well as innumerable essays, letters, and other pieces of critical prose. Known by contemporary fellow novelists as 'the Master', James died in Kensington, London, in 1916.

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The Turn Of The Screw is a gothic novella by British author Henry James in which an inexperienced young governess, a parson’s daughter, takes a position at a country house looking after two children. The master of the house, their uncle, gives her full authority, wanting no communication about the children.

Her welcome to the house by the housekeeper, Mrs Grose, is genuine, and she is immediately taken with the little girl, Flora. Her brother Miles arrives a few days later, inexplicably dismissed from his boarding school: he seems to be a delightful boy.

Things change when the unnamed governess spots first a man (who is apparently the ghost of the master’s valet, Peter Quint) and then a woman, the ghost of the previous governess, Miss Jessel. From just their gaze, she discerns that these two are after the children.

She manages to drag information about them and their relationship from the reluctant Mrs Grose and, between them, they decide they have to protect the children from the harm they believe the apparitions intend. Her vigils yield more sightings of the two, and the governess is even more certain of their ill intent.

As time progresses, though, the governess begins to wonder if it is too late: the children seem to already be happily in the thrall of these two. Should she, against instructions, contact their uncle?

For a twenty-first Century reader, this classic, however well written, will likely be a chore to read, a characteristic of the dense nineteenth Century prose being verbosity: why use one word when ten or fifteen will do, and the small print doesn’t help the reader’s search for the relevant point in each sentence.

For example, “Yet when he at last arrived the difficulty of applying them, the accumulations of my problem, were brought straight home to me by the beautiful little presence on which what had occurred had as yet, for the eye, dropped neither stain nor shadow” is a sentence that might be distilled into a few words, if only the meaning could intuited, but really, life’s too short to bother. In this case, maybe the movie will be better than the book.

Recommended
Contains Spoilers No
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