The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.
Composition, Performance and the Listening Experience
- ISBN:
- 9789061869948
- 9789061869948
- Category:
- Techniques of music / music tutorials
- Format:
- Paperback
- Publication Date:
- 15-02-1999
- Language:
- English
- Publisher:
- Leuven University Press
- Country of origin:
- Belgium
- Dimensions (mm):
- 238.76x149.86mm
- Weight:
- 0.45kg
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