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Tori Amos's Boys for Pele

Tori Amos's Boys for Pele 1

by Amy Gentry
Paperback
Publication Date: 01/11/2018
3/5 Rating 1 Review

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It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos.

Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music.

Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange.

Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

ISBN:
9781501321313
9781501321313
Category:
Western "classical" music
Format:
Paperback
Publication Date:
01-11-2018
Language:
English
Publisher:
Bloomsbury Publishing PLC
Country of origin:
United Kingdom
Pages:
192
Dimensions (mm):
162.56x119.38x11.43mm
Weight:
0.19kg
Amy Gentry

Amy Gentry is a book reviewer for the Chicago Tribune whose work has also appeared in Salon, LA Review of Books, and the Best Food Writing of 2014. 

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Reviews

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1 Review

Although I was really looking forward to reading about Tori’s ‘Boys for Pele’ (I’ve been sort of obsessed for 24 years with all things Tori) I found myself glazing over whenever the discussion moved into a discourse about the nature of disgust or how the concept of taste can be, I don’t know, something about Kant and aesthetic philosophy. I blame myself; I saw Tori on the cover and neglected to read the blurb where it warned me that this book was a “blend of memoir, criticism, and aesthetic theory”.

Sure, I understood where the author was coming from when she explored disgust; the image of Tori suckling a piglet in the album artwork did elicit a WTF response from me when I first saw it in 1996. Perhaps you need to be smarter than I am to fully appreciate the connections between Tori’s music and the philosophical and sociological treatises mentioned in this book but it came across to me as kinda pretentious (sorry!).

“In the end, Bourdieu’s sociological lens merely neglects what Kant purposely excludes: the body’s role in aesthetic experience.”

I know a lot of people call Tori ‘pretentious’ as well but I just wanted to hear about her songs. I already knew the early Tori biography and had read a lot of the articles referenced. I also didn’t want to keep hearing about Wilson’s book about Céline Dion.

While it wasn’t what I was hoping for this book is definitely thoroughly researched and well written, and I expect a lot of Toriphiles will love it. The sections that actually deconstructed Tori’s songs were interesting and I did learn some new (to me) meanings behind lyrics and background information about the media’s portrayal of her.

I was very disappointed that, in a book about a specific album, some of its songs were barely mentioned, including some of my favourites. In particular, ‘Putting the Damage On’ is mentioned in passing twice and ‘Talula’ is only mentioned once! Songs that aren’t even on this album were given more air time.

This series has been on my radar for a number of years and I expected that after reading about ‘Pele’ I’d be bingeing the rest but it turns out they’re not for me and I’m really bummed about that. I usually have to buy any book written by or about Tori so this is a first for me.

Thank you to NetGalley and Bloomsbury Academic for the opportunity to read this book.

Contains Spoilers No
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