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Transcription

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A Novel

by Kate Atkinson

Paperback Publication Date: 17/09/2018

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The magnificent new novel by the bestselling and award-winning Kate Atkinson, a major publishing event.

‘Think of it as an adventure, Perry had said right at the beginning of all this.And it had seemed like one. A bit of a lark, she had thought. A Girls’ Own adventure.’

In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past for ever.

Ten years later, now a producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.

Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of this country’s most exceptional writers.

“ Praise for Kate Atkinson: Inexhaustibly ingenious ” Hilary Mantel

ISBN:
9780857525895
Category:
Contemporary fiction
Format:
Paperback
Publication Date:
17-09-2018
Language:
English
Publisher:
Transworld Publishers Limited
Country of origin:
United Kingdom
Pages:
352
Dimensions (mm):
232x155x28mm
Weight:
0.43kg
Kate Atkinson

Kate Atkinson won the Whitbread (now Costa) Book of the Year prize with her first novel, Behind the Scenes at the Museum. Her four bestselling novels featuring former detective Jackson Brodie became the BBC television series Case Histories, starring Jason Isaacs.

Her 2013 novel Life After Life won the South Bank Sky Arts Literature Prize, was shortlisted for the Women’s Prize, voted Book of the Year for the independent booksellers associations on both sides of the Atlantic. It also won the Costa Novel Award, as did her new novel A God in Ruins (2015).

She was appointed MBE in the 2011 Queen’s Birthday Honours List, and was voted Waterstones UK Author of the Year at the 2013 Specsavers National Book Awards.

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Customer Reviews

Average Rating

5 / 5 (1 Ratings)
  • Another Atkinson masterpiece.

    by on

    Transcription is the fourth stand-alone novel by award-winning British author, Kate Atkinson. In 1940, eighteen-year-old Juliet Armstrong finds herself recruited into the Secret Service. Mostly it’s fairly boring, typing up reports and transcribing recordings of agents meeting with British Nazi-sympathisers. But then she’s given another identity and the work gets more interesting, for a while. After one exciting episode, arrests are made.

    But there were some incidents about which Juliet doesn’t like to think too much, and when the war ends, she’s not sorry to leave it all behind. Five years later, Juliet is working for the BBC producing children’s programs when a face from the past appears: the man who posed as the Gestapo contact passes her in the street. What is disconcerting is that he pretends not to know her.

    On the heels of this, a somewhat threatening note is delivered, more of her former colleagues from MI5 flit in and out, and she feels sure she is being followed. Frustrated for information from official channels, Juliet decides to become the hunter rather than the prey.

    Once again, Atkinson gives the reader a plot that is perfectly plausible, but filled with twists and red herrings. Her depiction of London during the war and in the immediate aftermath has an authentic feel, with the social attitudes portrayed appropriate for the era. Her protagonist is easily believable: Juliet is intelligent but still naïve, although perhaps not quite as innocent as she first seems.

    Her descriptive prose is excellent, as always, and Atkinson no doubt delighted in dropping this piece of dialogue in the final pages: “Fisher clapped his hands, as if to signal the end of the entertainment and said, ‘Come now, quite enough of exposition and explanation. We’re not approaching the end of a novel, Miss Armstrong.’” Another Atkinson masterpiece.