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Turner's Modern World

Turner's Modern World

by David Blayney BrownAmy Concannon and Sam Smiles
Paperback
Publication Date: 01/02/2021

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To accompany a landmark exhibition of the art of J.M.W. Turner, this accomponying book presents Turner as a pioneer painter of contemporary life, finding new ways to picture the momentous events and dizzying changes of modernisation.

This will be the first exhibition to highlight Turner’s contemporary imagery, the most exceptional and distinctive aspect of his work throughout his career. Rather than making any claims for Turner’s protomodernist credentials, it will explore what constituted modernity, and what it meant to be a modern artist, in his lifetime.

Turner’s career spanned revolution and the Napoleonic War, Empire, the explosion of finance capitalism, the transition from sail to steam and from manpower to mechanisation, political reform and scientific and cultural advances that transformed society and shaped the modern world. While historians have long recognised that the industrial and political revolutions of the late eighteenth century inaugurated farreaching change and modernisation, these were often ignored by artists as they did not fit into established categories of pictorial representation.

This exhibition and its accompanying publication will show Turner updating the language of art and transforming his style and practice to produce revelatory, definitive interpretations of modern subjects.

ISBN:
9781849767125
9781849767125
Category:
Exhibition catalogues & specific collections
Format:
Paperback
Publication Date:
01-02-2021
Publisher:
Tate Publishing
Country of origin:
United Kingdom
Pages:
240
Dimensions (mm):
286x233mm
Weight:
0.3kg
David Blayney Brown

David Blayney Brown is Manton Curator of British Art, 1790-1850, Tate Britain. His books include Turner and Byron, Turner in the Alps, The 'Lucerne' Sketchbook, and Romanticism.

Amy Concannon

Amy Concannon is Curator, Tate Britain.

Sam Smiles

Sam Smiles is Emeritus Professor of Art History, University of Plymouth, and Programme Director, Art History and Visual Culture, University of Exeter.

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