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William Kentridge

William Kentridge

by Dan CameronJ. M. Coetzee and Carolyn Christov-Bakargiev
Paperback
Publication Date: 16/09/1999

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William Kentridge's (b.1955) black-and-white, animated films offer an emblematic and unprecedented insight into the South Africa of today, from the hearings of the Truth and Reconciliation Commission to traces of apartheid's violence in the landscape around Johannesburg. This is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa. The images in Kentridge's films depict political realities, expressed in terms of individual human suffering. They are patiently made up of dozens of drawings, often made from the erasure as well as the addition of lines and forms. A week's drawing can give rise to just 40 seconds of animation. Socio-political traumas such as apartheid and the Holocaust are enigmatically narrated through his melancholy, tormented images. Like some of the Expressionists who also relied on strong draughtsmanship, such as Max Backman and Kathe Kollwitz, Kentridge presents politically engaged art via depictions of the personal. This invaluable book is the first extensive monograph available on his work.



American curator and critic Dan Cameron surveys Kentridge's work withing the context of politicized art practice while analysing the formal innovations of his animation techniques. European art critic and curator Carolyn Christov-Bakargiev discusses with the artist the political and philosophical dimensions of his relationship to drawing. Booker Prize-winning South African novelist J. M. Coetzee focusses on the artist's animated film History of the Main Complaint (1996) as a pivotal point in the development of Kentridge's best-known characters Soho Eckstein and Felix Teitlebaum. The Artist's Choice selection is an extract from Confessions of Zeno (1923) by Italo Svevo, which reflects the autobiographical content of the artist's work. Kentridge's writings span meditations on the process of drawing, the political situation in South Africa and traditions of representation upon which he has drawn, ranging from Goya and Hogarth to Beckmann and Eisenstein.
ISBN:
9780714838298
9780714838298
Category:
Individual artists
Format:
Paperback
Publication Date:
16-09-1999
Language:
English
Publisher:
Phaidon Press Ltd
Country of origin:
United Kingdom
Pages:
160
Dimensions (mm):
290x250x18mm
Weight:
1.02kg
Dan Cameron

Dan Cameron is a New York-based curator, art writer and educator best known for having founded Prospect New Orleans, the triennial art exhibition that began operations shortly after Hurricane Katrina, from 2006 to 2011, and is currently preparing its fifth edition. For over a decade (1995-2006), his exhibitions as Senior Curator at the New Museum, New York, included now-historic surveys of William Kentridge, Faith Ringgold, Carolee Schneemann, David Wojnarowicz and Martin Wong.

Cameron worked as Chief Curator at Orange County Museum of Art in Newport Beach, California (2012-2015), along with directing international art biennials in Istanbul (2003), Taipei (2006), Cuenca (2016) and Kansas City (2018). He was most recently guest curator for the 2019 retrospective of Leandro Erlich at MALBA in Buenos Aires.

J. M. Coetzee

J. M. Coetzee was the first author to win the Booker Prize twice and was awarded the Nobel Prize for Literature in 2003.

His work includes Waiting for the Barbarians, Life & Times of Michael K, The Master of Petersburg, Disgrace and Diary of a Bad Year. His most recent writing is a trilogy of novels- The Childhood of Jesus, The Schooldays of Jesus and The Death of Jesus. He lives in Adelaide.

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