This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.

Hitler loved and was obsessed by classical music. This is the chilling story of the manipulation of some of German music’s greatest composers and cultural icons, and the persecution of others, all in the name of the Nazi’s deathly cause.

Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.

Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.