SERIES 1: Jane Tennison is a Detective Chief Inspector assigned to Southampton Row Police Station in Central London. She is repeatedly passed over for major cases but, following the death of a Senior Investigating Officer, DCI Shefford, she is given the opportunity to take over his investigation which involves the brutal murder of a young girl. The girl's body has been badly mutilated, and her hands have been tied behind her back. Forensic evidence puts a suspect in the frame.
SERIES 2: When a body is found in the backyard of a home in an Afro-Caribbean neighbourhood of London, DCI Tennison has to tread carefully in her investigation because of racial tensions surrounding unsolved crimes in the region. Jane also worries about her recent affair with DS Bob Oswald when he is assigned to the case. A suspect confesses, but Jane and Bob have doubts.
SERIES 3: After being passed over for Detective Superintendent and giving notice, Jane briefly reunites with a very old flame who is now a famous crime writer. But, again, Jane breaks off the relationship and she accepts a new job as DCI in Metro Vice. Jane has new bosses who think she can be micromanaged. Jane reunites with former nemesis, DS Otley, and other old comrades, but Jane finds she is no longer the enemy. The Incident Room is full of humour and raucous moments...but is it business as usual? The former DCI, Lyall, was apparent scapegoat when a new mandate, Operation Contract, did not yield the desired arrests. The supposed objective, clearing the streets of rent boys and other youthful offenders, is said to be the number one priority. Jane senses disturbing undercurrents; she learns there is a mole within Metro Police. Jane, Otley and other officers investigate the murder of a 17-year-old rent boy, Colin 'Connie' Jenkins, which Jane sees as a normal, logical extension of their duties.
SERIES 4: A child's death points to a convicted child molester, who has completed his prison sentence, and now lives with a woman and her two young daughters, having kept his dark past a secret from them. However, the man's counsellor believes that he would not have committed the crime because of his preference in victims. Meanwhile, Tennison is promoted to Detective Superintendent.
SERIES 2: When a body is found in the backyard of a home in an Afro-Caribbean neighbourhood of London, DCI Tennison has to tread carefully in her investigation because of racial tensions surrounding unsolved crimes in the region. Jane also worries about her recent affair with DS Bob Oswald when he is assigned to the case. A suspect confesses, but Jane and Bob have doubts.
SERIES 3: After being passed over for Detective Superintendent and giving notice, Jane briefly reunites with a very old flame who is now a famous crime writer. But, again, Jane breaks off the relationship and she accepts a new job as DCI in Metro Vice. Jane has new bosses who think she can be micromanaged. Jane reunites with former nemesis, DS Otley, and other old comrades, but Jane finds she is no longer the enemy. The Incident Room is full of humour and raucous moments...but is it business as usual? The former DCI, Lyall, was apparent scapegoat when a new mandate, Operation Contract, did not yield the desired arrests. The supposed objective, clearing the streets of rent boys and other youthful offenders, is said to be the number one priority. Jane senses disturbing undercurrents; she learns there is a mole within Metro Police. Jane, Otley and other officers investigate the murder of a 17-year-old rent boy, Colin 'Connie' Jenkins, which Jane sees as a normal, logical extension of their duties.
SERIES 4: A child's death points to a convicted child molester, who has completed his prison sentence, and now lives with a woman and her two young daughters, having kept his dark past a secret from them. However, the man's counsellor believes that he would not have committed the crime because of his preference in victims. Meanwhile, Tennison is promoted to Detective Superintendent.
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