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F. Scott Fitzgerald: Trimalchio

F. Scott Fitzgerald: Trimalchio

An Early Version of 'The Great Gatsby'

by F. Scott Fitzgerald and James L. W. West, III
Paperback
Publication Date: 25/04/2002
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This first edition ever published of Trimalchio, an early and complete version of F. Scott Fitzgerald's classic novel The Great Gatsby now appears in paperback. Fitzgerald wrote the novel as Trimalchio and submitted it to Maxwell Perkins, his editor at Scribner's, who had the novel set in type and the galleys sent to Fitzgerald in France. Fitzgerald then virtually rewrote the novel in galleys, producing the book we know as The Great Gatsby. This ur-version, Trimalchio, has never been published and is markedly different from The Great Gatsby: two chapters were completely rewritten for the published novel, and the rest of the book was heavily revised. Characterization is different, the narrative voice of Nick Carraway is altered and, most importantly, the revelation of Jay Gatsby's past is handled in a wholly different way.
ISBN:
9780521890472
9780521890472
Category:
Literary studies: from c 1900 -
Format:
Paperback
Publication Date:
25-04-2002
Language:
English
Publisher:
Cambridge University Press
Country of origin:
United Kingdom
Pages:
216
Dimensions (mm):
213x140x15mm
Weight:
0.26kg
F. Scott Fitzgerald

F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University, which he left in 1917 to join the army. He was said to have epitomized the Jazz Age, which he himself defined as 'a generation grown up to find all Gods dead, all wars fought, all faiths in man shaken'. In 1920 he married Zelda Sayre. Their traumatic marriage and her subsequent breakdowns became the leading influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and The Last Tycoon (his last and unfinished work); six volumes of short stories and The Crack Up, a selection of autobiographical pieces.

Fitzgerald died suddenly in 1940. After his death The New York Times said of him that 'He was better than he knew, for in fact and in the literary sense he invented a 'generation'. . . he might have interpreted and even guided them, as in their midle years they saw a different and nobler freedom threatened with destruction.'

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You can find this item in:

Literature: history & criticism Classic fiction Literary studies: from c 1900 -
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