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Why Mahler?

Why Mahler?

How One Man and Ten Symphonies Changed the World

by Norman Lebrecht
Paperback
Age range: 0 to 0 years old Publication Date: 01/09/2011

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A century after his death, Gustav Mahler is the most important composer of modern times. Displacing Beethoven as a box-office draw, his music offers more than the usual listening satisfactions. Many believe it has the power to heal emotional wounds and ease the pain of death. Others struggle with the intellectual fascination of its contradictory meanings. Long, loud and seldom easy, his symphonies are used to accompany acts of mourning and Hollywood melodramas. Sometimes dismissed as death-obsessed. Mahler is more alive in the 21st century than ever before.

Why Mahler? Why does a Jewish musician from a land without a name capture the yearnings and anxieties of post-industrial society? Is it the music, is it the man, or is it the affinity we feel with his productive peak - a decade when Freud, Einstein, Picasso, Joyce and Mahler reconfigured the ways we understand life on earth?

In this highly original account of Mahler's life and work, Norman Lebrecht - renowned writer, critical and cultural commentator - explores the Mahler Effect, a phenomenon that reaches deep into unsuspecting lives, altering the self-perceptions of world leaders, finance chiefs and working musicians.

Why Mahler? is a multi-layered exploration of the role that music plays as a soundtrack to our lives.
ISBN:
9780571260799
9780571260799
Category:
Individual composers & musicians
Age range:
0 to 0 years old
Format:
Paperback
Publication Date:
01-09-2011
Publisher:
Faber & Faber
Country of origin:
United Kingdom
Pages:
384
Dimensions (mm):
25x130x200mm
Weight:
0.3kg
Norman Lebrecht

Norman Lebrecht is the author of twelve works of non-fiction, including the international bestsellers The Maestro Myth, Why Mahler? and The Life and Death of Classical Music, which have been translated into seventeen languages.

His first novel, The Song of Names, won a Whitbread Award and is being released this year as a major feature film. He now writes for the Spectator and the Wall Street Journal, and is working on his fourth novel. He lives in London.

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