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Landscapes, Rock Art and the Dreaming

Landscapes, Rock Art and the Dreaming

An Archaeology of Pre-Understanding

by Bruno David
Hardback
Publication Date: 26/12/2002

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During ethnographic times, the Dreaming was the framework of beliefs through which Aboriginal people gave meaning to the world. All peoples, past and present know and experience their world as already meaningful but changing. This is a world of what the philosopher Hans-Georg Gadamer has called "preunderstanding", a condition of knowledge that shapes one's experience of the world. The known and experienced world is a place of culture; not a place that is, but one that has become, through meaningful engagement. The world is given presence - given pre-sense - through the historicity of one's own being. It is the archaeology of this condition that forms the major theme of this book. By tracing through time the archaeological visibility of one well-known mode of preunderstanding - the Dreaming of Aboriginal Australia - the author argues that it is possible to scientifically explore an archaeology of preunderstanding; of body and mind, identity and Being-in-the-world.
ISBN:
9780718502430
9780718502430
Category:
Archaeology by period / region
Format:
Hardback
Publication Date:
26-12-2002
Language:
English
Publisher:
Bloomsbury Publishing PLC
Country of origin:
United Kingdom
Pages:
256
Dimensions (mm):
244x169x25mm
Weight:
0.77kg
Bruno David

Bruno David is Associate Professor in archaeology at the Monash Indigenous Center, Monash University, Australia.

His books include Hiri, the World Archaeological Congress Handbook of Landscape Archaeology, The Social Archaeology of Australian Indigenous Societies, Landscapes, Rock-Art and the Dreaming and Inscribed Landscapes.

In 1994 he was awarded the inaugural Antiquity Prize for his work on the archaeology of meaning in rock art, in 2007 the Australian Archaeological Association s Bruce Veitch Award for Excellence in Indigenous Engagement, and in 2013 the Ben Cullen Prize for writings on the social construction of caves and rockshelters.

His current research involves working in partnership with Indigenous communities in northern Australia and Papua New Guinea, exploring the historical connections that people have formed with places and documenting the antiquity of rock art and its meaning to local communities today.

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