Chapter 1: It Begins with the Theatre: Barrie Kosky's Workshop.
Chapter 2: "Very much a laboratory" Barrie Kosky and the Gilgul Ensemble 1991-1997.
Chapter 3: "Aesthetic Ideas" Mystery and Meaning in the Early Work of Barrie Kosky.
Chapter 4: Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival.
Chapter 5: Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky's Approach to Character.
Chapter 6: When All Else Fails, Sing: Barrie Kosky's The Women of Troy.
Chapter 7: Barrie Kosky's Grotesques and the Ecstasy of Theatre.
Chapter 8: "Es klang so alt und war doch so neu" Barrie Kosky and Wagner's Die Meistersinger von Nürnberg.
Chapter 9: (Not) Repeating the Past in Barrie Kosky's Die Meistersinger von Nürnberg.