Futures examines the relevance of futures studies to literary studies. It demonstrates how the growing interest in futures thinking is opening up multidisciplinary conversations and initiatives, examining historical and contemporary forms of futures knowledge, the methodologies and technologies of futures expertise, and the role played by different institutions on legitimising, deploying, and controlling anticipatory
practices.Bringing together emerging perspectives on the future from diverse disciplinary perspectives including critical theory, design, anthropology, sociology, politics, and history, this book places the provocation of
power at the heart of the book through an investigation of futures as both objects of science and objects of the human imagination, creativity, and will. A multidisciplinary team of contributors challenge and debate the varied ways in which futures are conjured and constructed, exploring issues as diverse as the utopian imagination, history and philosophy, literary and political manifestos, artefacts and design fictions, and forms of technological and financial forecasting, big data, climate
modelling, and scenarios. The book positions the future as a question of power, of representations and counter-representations, and forms of struggle over future imaginaries. Forms
of futures-making depend on complex processes of envisioning and embodiment. Each chapter investigates the critical vocabularies, genres, and representational methods - narrative, quantitative, visual, and material - of futures-making as deeply contested fields in cultural and social life.