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Realizing Capital

Realizing Capital

Financial and Psychic Economies in Victorian Form

by Anna Kornbluh
Hardback
Publication Date: 20/01/2014

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During a tumultuous period when financial speculation began rapidly to outpace industrial production and consumption, Victorian financial journalists commonly explained the instability of finance by criticizing its inherent artifice-drawing persistent attention to what they called "fictitious capital." In a shift that naturalized this artifice, this critique of fictitious capital virtually disappeared by the 1860s, replaced by notions of fickle investor psychology and mental equilibrium encapsulated in the fascinating metaphor of "psychic economy."

In close rhetorical readings of financial journalism, political economy, and the works of Dickens, Eliot, and Trollope, Kornbluh examines the psychological framing of economics, one of the nineteenth century's most enduring legacies, reminding us that the current dominant paradigm for understanding financial crisis has a history of its own. She shows how novels illuminate this displacement and ironize ideological metaphors linking psychology and economics, thus demonstrating literature's unique facility for evaluating ideas in process. Inheritors of this novelistic project, Marx and Freud each advance a critique of psychic economy that refuses to naturalize capitalism.
ISBN:
9780823254972
9780823254972
Category:
Literary studies: fiction
Format:
Hardback
Publication Date:
20-01-2014
Language:
English
Publisher:
Fordham University Press
Country of origin:
United States
Pages:
232
Dimensions (mm):
229x152x25mm
Weight:
0.45kg
Anna Kornbluh

Anna Kornbluh is Professor of English at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms- Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital.

Anna Kornbluh has a prominent international profile in academic circles ranging from literature and film to political economy and history, in the artworld increasingly as critic-in-residence at gallery events for contemporary work in Chicago, and in journalistic venues like The Times Literary Supplement (which has repeatedly reviewed her work), The Chronicle of Higher Education (which recurrently commissions essays and interviews from/with her), and The Paris Review, as well as podcasts with over 10,000 individual listeners, such as Why Theory.

This recent youtube interview has over 6000 views- https-//www.youtube.com/watch?v=AIdqjKf8c5g&t=445s. While she tweets impersonally, her account has nearly 12,000 followers. The Los Angeles Review of Books has already commissioned an essay from her to coincide with the book's publication.

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