Despite the fact that, strictly speaking, the artwork doesn t belong to him, Ethan takes the challenge and makes a name for the old man - and himself. Soon Ethan has to congratulate himself on his own genius: for storytelling and salesmanship. But suddenly the police are interested in talking to him. It seems that the missing artist had a nasty past, and the drawings hanging in the Muller Gallery have begun to look a lot less like art and a lot more like evidence.
Sucked into an investigation four decades cold, Ethan will uncover a secret legacy of shame and death, one that will touch horrifyingly close to home - and leave him fearing for his own life.
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