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The Cane

The Cane 1

by Maryrose Cuskelly
Paperback
Publication Date: 01/02/2022
4/5 Rating 1 Review

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Nail-biting, atmospheric, and unputdownable, the brilliant new thriller for fans of Wimmera and The Dry.

ONE MISSING GIRL. NO SUSPECTS. A TOWN ABOUT TO IGNITE.

Quala, a North Queensland sugar town, the 1970s.

Barbara McClymont walks the cane fields searching for Janet, her sixteen-year-old daughter, who has been missing for weeks. The police have no leads. The people of Quala are divided by dread and distrust. But the sugar crush is underway and the cane must be burned.

Meanwhile, children dream of a malevolent presence, a schoolteacher yearns to escape, and history keeps returning to remind Quala that the past is always present.

As the smoke rises and tensions come to a head, the dark heart of Quala will be revealed, affecting the lives of all those who dwell beyond the cane.

The Cane is an evocative and atmospheric thriller, and announces an exciting new voice in Australian crime writing.

ISBN:
9781760879853
9781760879853
Category:
Contemporary fiction
Format:
Paperback
Publication Date:
01-02-2022
Publisher:
ALLEN & UNWIN
Country of origin:
Australia
Pages:
336
Dimensions (mm):
234x153mm
Weight:
0.41kg

'A fine, brave, perceptive writer.'
- Mark Dapin, journalist and author of Public Enemies

'A stunning piece of Australian rural noir.'
- Mark Brandi, bestselling author of Wimmera and The Rip

Maryrose Cuskelly

Maryrose Cuskelly is a freelance writer and editor. She is the author of two books, Original Skin: An exploration of the remarkable human hide (Scribe 2010) and The End of Charity: Time for social enterprise (Allen & Unwin 2008), which she wrote with Nic Frances, and was the winner of the Iremonger Award.

Her essays and articles have been published in a range of magazines, journals, and newspapers, including The Age, The Australian, The Melbourne Magazine, WellBeing, The Big Issue and RealTime. Last year Maryrose won the Thunderbolt Prize for Crime Writing (Non-fiction) for her essay 'Well Before Dark'.

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The Cane is the first novel by award-winning Australian author, Maryrose Cuskelly. In 1970’s North Queensland, sixteen-year-old Janet McClymont goes missing on a short walk down a cane-field track to babysit the neighbours’ children. Despite an immediate, thorough and prolonged search by neighbours, volunteers and police, no trace of Janet is found, except for her bag.

Her father is convinced she is still alive; her mother accepts that her daughter has met with foul play and spends her days searching for her body. But now, weeks later, the cane is ready to harvest, and that requires setting fire to the fields. Her close neighbours have delayed their burn because Barbara McClymont is desperate to recover her daughter’s body intact rather than her cremains, but they can’t delay much longer.

Senior Constable Carmel Maitland has been called to Quala to offer a female perspective on the case. Detective Sergeant Doug Patterson hopes the women of the town will share information with her that they may have kept from male police officers. Carmel already has ideas on how to move the case forward, none of which involve making the tea. Her participation in the investigation earns disapproval of the country-town-conservative male population.

With the cane at its full height and recent heavy rains swelling creeks and standing waters, finding a body is a logistical challenge. Old timers like Arthur Mulligan are reminded of another sixteen-year-old girl, Cathy Creadie, who went missing ten years earlier from the rocks at Danger Point, her body later found, cut and bruised, in the mangroves.

In the absence of body or person, the possibilities include that Janet left intentionally, met with an as yet undiscovered fatal accident, was taken and murdered or is being held. A local dowser’s firm belief about Janet’s fate is summarily dismissed by most.

But surely, until a motive is known, everyone over a certain age without an ironclad alibi for the short time window between when she was last seen alive and first noticed missing, is suspect in Janet’s disappearance? It seems incredibly naïve and short-sighted that the community, media and the police (even Carmel) focus only on the male population, effectively eliminating half of their potential suspect list.

Weeks of tension are telling on the town: parents lose sleep worrying about the safety of their children; children have nightmares about the pervert they hear has taken Janet; testosterone-filled xenophobic young men are ready to use their fists on anyone who is different; and emotions run high as everyone in town wonders if one of their neighbours is involved in Janet’s disappearance.

Cuskelly easily conveys the mood and mindset of this small coastal community of cane farmers: the sexism and racism as depicted will certainly resonate with readers of a certain vintage. The large cast of characters and their dialogue are mostly authentic, although some may strike the reader as stereotypes.

The story comes together with narratives from multiple perspectives but it’s Arthur Mulligan’s first-person narrative that gives an overview of everything that occurs. There’s a slow build to a dramatic climax set against the backdrop of burning cane fields. Very atmospheric Aussie crime fiction.
This unbiased review is from an uncorrected proof copy provided by Allen & Unwin.

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