The Death Of Noah Glass

The Death Of Noah Glass 2

Shortlisted for the 2019 Miles Franklin Award

by Gail Jones

Paperback / softback Publication Date: 30/08/2018

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*Shortlisted for the 2019 Miles Franklin Award*

Gail Jones’s mesmerising new novel tells a story about parents and children, it is about love and art, about grief and happiness, about memory and the mystery of time.

The art historian Noah Glass, having just returned from a trip to Sicily, is discovered floating face down in the swimming pool at his Sydney apartment block.

His adult children, Martin and Evie, must come to terms with the shock of their father’s death. But a sculpture has gone missing from a museum in Palermo, and Noah is a suspect. The police are investigating.

None of it makes any sense. Martin sets off to Palermo in search of answers about his father’s activities, while Evie moves into Noah’s apartment, waiting to learn where her life might take her. Retracing their father’s steps in their own way, neither of his children can see the path ahead.

ISBN:
9781925603408
9781925603408
Category:
Contemporary fiction
Format:
Paperback / softback
Publication Date:
30-08-2018
Publisher:
Text Publishing
Country of origin:
Australia
Pages:
320
Dimensions (mm):
234x153mm
Gail Jones

Gail Jones lives in Sydney and teaches at the University of Western Sydney. Her books have won numerous literary awards in Australia.

She is the author of two collections of short stories and five novels including Sixty Lights which was longlisted for the Man Booker Prize, Dreams of Speaking which was shortlisted for the International IMPAC Dublin Literary Award and longlisted for the Orange Prize, and Sorry which was longlisted for the Orange Prize.

Gail Jones is the author of two short-story collections, a critical monograph, and the novels Black Mirror, Sixty Lights, Dreams of Speaking, Sorry, Five Bells and A Guide to Berlin.

Three times shortlisted for the Miles Franklin Award, her prizes include the WA Premier's Award for Fiction, the Nita B. Kibble Award, the Steele Rudd Award, the Age Book of the Year Award, the Adelaide Festival Award for Fiction and the ASAL Gold Medal.

She has also been shortlisted for international awards, including the IMPAC and the Prix Femina. Her fiction has been translated into nine languages.

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Customer Reviews

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  • Love Love LOVE!

    by on

    Very much loved this one.

  • a superb read.

    by on

    “As she stood on the deck of the ferry at Circular Quay, Evie was conscious of storing up things for future recollection. Here was the lustily gleaming harbour, the absurdly golden midday, and the bridge, swinging away like a door on brass hinges as the ferry executed a slow turn. Above was an infinity of blue-becoming-black reaching far into space, almost shocking after the grey security of Melbourne. The scale of things was all wrong, too lavish, too sunny, too geared to applause.”

    The Death Of Noah Glass is the seventh novel by award-winning Australian author, Gail Jones. When sixty-seven-year-old art historian, Noah Glass is found face-down, fully clothed in the swimming pool of his Elizabeth Bay apartment block, the coroner rules it a heart attack. But the day after the funeral, his children are told that Noah was the suspect in an art theft. The Carabinieri Cultural Heritage Protection Agency in Sicily have advised Sydney detective Frank Malone that a national treasure, a small bust of Eleonora Ragusa sculpted by Vincenzo Ragusa, has been stolen from a gallery in Palermo. Noah had returned from Sicily just four weeks previous.

    But Martin and Evie are dismissive: their father’s field of interest was quattrocento painting; he had no interest in sculpture at all. While Evie is meant to be sorting out Noah’s apartment, Martin goes to Palermo to see what he can find out. But when he gets there, he is frustrated by his father’s Italian colleagues: absent, reticent, vague. And his artistic soul is soon distracted by what he sees around him.

    “We have just endured, she thought, the funeral of our father and my brother is still as he was, negligent, self-centred, without a clue. He is still the cocksure adolescent bound for fame and glory, still contesting his father’s authority. They were so alike, father and son, that they loved each other in self-confirmation. The equation of what they were was a tangled knot.”

    For both of them, their grief is ever present, and they are constantly reminded of their singular but loving upbringing by this good man, respected by all. They connect again, skyping to remind each other: “Martin still envied her canny poise, the way she made her own knowledge, sagely and systematically, always locating a hidden order. Their disorderly lives had needed this incongruity – her lists and his images, her calm, withholding quiet and his noisier rebellion. He saw it now, her aisles of mysterious space, mapped alphabetically step by step, while his gestures were rooms, broad openings on either side. Still, they fitted together; still, they were complements.”

    Four narrative strands tell the story: Martin and Evie perspective detail events after Noah’s death, while Noah’s story of his stay in Sicily is supplemented by descriptions of significant life events from his childhood onwards. While there is certainly a mystery, this novel is very much character-driven, and the relationships between the siblings and their closeness to their father, shown in common memories and habits are the strength of the story.

    The descriptions of the two cities (Sydney, Palermo) with which Jones suffuses her text are highly evocative and show her captivation with these places. The depth of her research is apparent with the inclusion of information about art, about the theft of Italian artworks and about Western Australia’s leprosarium. Marvellous and moving, a superb read.

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