K. Silem Mohammad is the Andy Warhol of contemporary poetry, acutely scraping the bottom of the cultural barrel with such prescience, precision, and sensitivity that we are forced to reevaluate the nature of the language engulfing us. Our first impulse is to flee, to deny its worth, to turn away from it, to write it off as a big joke; but as with Warhol's car crashes or electric chairs, we are equally entranced, entertained, and repulsed: we can't stop looking. This is important and beautiful work.-- Kenneth Goldsmith
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