Like a dark and twisted mash up of Lena Dunham's Girls and Ricky Gervais's The Office - this is "a dark comedy of female rage" (Catherine Lacey) and a biting satire of the false promise of reinvention, by a National Book Foundation 5 Under 35 honoree and Granta Best Young American Novelist

In a windowless office, women stand in a circle. One explains something from her real, nonwork life - about the frustration and indignity of returning an item she bought online. One wears a topknot. Another checks her pedometer.

Watching them all is Millie. Thirty-years-old and an eternal temp, she says almost nothing, almost all of the time.

But then the possibility of a permanent job arises. Will it bring the new life Millie is envisioning - one involving a gym membership, a book club, and a lot less beer and TV - finally within reach? Or will it reveal just how hollow that vision has become?