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Why Beethoven

Why Beethoven

A Phenomenon in One Hundred Pieces

by Norman Lebrecht
Hardback
Publication Date: 02/05/2023

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Without Beethoven, music as we know it wouldn't exist. By examining one hundred of his compositions, a portrait emerges of the man behind the music.

Lebrecht has immersed himself in the rich catalogue of Beethoven recordings and presents a unique picture of the man through his music. He selects the best recordings of one hundred key pieces, showing the composer as we've never seen him before. Unruly, offensive, and hopeless in so much of his life, yet driven to a fault and devoted to his art, conquering deafness to pen masterpieces.

Norman Lebrecht, has been grappling with this icon at the heart of music for his entire life. Who was the irascible, unpredictable, warped genius who stretched what music could do to the breaking point?

In this unique examination, Lebrecht attempts to understand the power of this man through his compositions, the history of who has performed them, and what it has meant to successive generations of audiences. In turn a detective story (we learn who Elise of "Fur Elise" is for the first time) and a confession, Why Beethoven aims to rise to the challenge of how to encompass the relentless energy of this singular genius.

With a narrative that mirrors the wayward sequence of Beethoven's compositions, Beethoven emerges as a cornerstone of the world as we know it.

ISBN:
9781639364114
9781639364114
Category:
Western "classical" music
Format:
Hardback
Publication Date:
02-05-2023
Language:
English
Publisher:
Pegasusbooks
Country of origin:
United States
Dimensions (mm):
228.6x152.4x33.02mm
Weight:
0.5kg
Norman Lebrecht

Norman Lebrecht is the author of twelve works of non-fiction, including the international bestsellers The Maestro Myth, Why Mahler? and The Life and Death of Classical Music, which have been translated into seventeen languages.

His first novel, The Song of Names, won a Whitbread Award and is being released this year as a major feature film. He now writes for the Spectator and the Wall Street Journal, and is working on his fourth novel. He lives in London.

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