Anthropocene Poetics

Anthropocene Poetics

by David Farrier
Epub (Kobo), Epub (Adobe)
Publication Date: 19/02/2019

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How poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time


The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses—how to live in our present moment alongside deep pasts and futures—brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian Bök, among others, provides us with frameworks for thinking about this uncanny sense of time.


Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives—the Anthropocene and the “material turn” in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies—Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis.

ISBN:
9781452959535
9781452959535
Category:
Literary studies: poetry & poets
Format:
Epub (Kobo), Epub (Adobe)
Publication Date:
19-02-2019
Language:
English
Publisher:
University of Minnesota Press
David Farrier

David Farrier teaches English Literature at the University of Edinburgh. He was a recipient of the Society of Literature's Giles St Aubyn Award. David was an adviser on 'Deep Time', the 2016 Edinburgh International Festival opening event, which told the 350 million-year-old story of the formation of Edinburgh, and recently held a prestigious Leverhulme Fellowship at the University of New South Wales. His work has appeared in Aeon and The Atlantic.

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