In 'Cleek: the Man of the Forty Faces,' Thomas W. Hanshew gives us a classic early 20th-century detective novel that spins the tale of Hamilton Cleek, a master of disguise and enigmatic investigator. The novel is a fine example of the early detective genre, blending mystery with adventure in the vein of Conan Doyle's Sherlock Holmes. Illustrative of the period's literary style, the narrative thrives on complexity and witty dialogue, offering a tableau of crimes that showcases Cleek's brilliant detective skills. This work, though an entertainment piece, also serves as a reflection on identity and human nature within the literary context of its time, echoing the fascination with duality found in Stevenson's 'Dr. Jekyll and Mr. Hyde'. Thomas W. Hanshew, an American actor turned writer, had a flair for crafting engaging narratives with compelling protagonists. Likely drawing from his experiences on stage, Hanshew mastered the art of character transformation, a theme central to Cleek's own story. The idiosyncrasies he instilled in his protagonist reflect not only a deep understanding of human psychology but also a predilection for the dramatic arts. Hanshew's own colourful life and engagement with the creative community might well have fueled the vibrant scenes that permeate his work. 'DigiCat Publishing's republishing of 'Cleek: the Man of the Forty Faces' is an invitation to rediscover the intrigue and excitement of classical detective stories. Recommended for aficionados of the genre, this novel will delight those who appreciate intricate plots and character-driven narratives. Cleek's multifaceted personality and shapeshifting abilities not only challenge the other characters in the novel but will captivate and confound readers with every turned page. The book beckons to be read with the acknowledgment and passion befitting a work described as a classic of world literature.