Paul Kane has published six collections of poems and a dozen other books, most recently Welcome Light (2016) and Renga: 100 Poems (2017). His work appears in journals and anthologies in the US, Australia, and the UK, and has been translated into French, Italian and Chinese.

Kane has received a Fulbright award, Guggenheim and NEA Fellowships, grants from the Mellon Foundation, a residency from the Bogliasco Foundation, and an honorary doctorate from La Trobe University for his contribution to Australian culture. He has taught at Yale University and Monash University (Australia), and is currently Professor of English and Environmental Studies at Vassar College.

In 1980, he married Tina Kane, a textile conservator who worked at the Metropolitan Museum of Art, and who, after a two-year illness with ALS, died in Australia in 2015. Kane divides his time between homes in Warwick, NY, and rural Australia.

Olivie Blake is the pseudonym of Alexene Farol Follmuth, a writer and lover of stories. As Olivie, she has penned several speculative works.

These include the webtoon Clara and the Devil (with illustrator Little Chmura), The Atlas Six and Alone With You in the Ether. Writing as Alexene, she's released My Mechanical Romance - her debut YA rom-com. She lives in Los Angeles with her husband, young son and rescue pit bull.

Marie O'Regan is an British Fantasy Award-nominated writer and editor of horror and dark fantasy fiction.

Her anthologies include Mirror Mere, Hellbound Hearts, The Mammoth Book of Body Horror, Carnivale: Dark Tales From the Fairground and The Mammoth Book of Ghost Stories by Women.

She is Co-Chair of the UK chapter of the Horror Writers' Association.

Tori Bovalino, is originally from Pittsburgh, Pennsylvania and lives in London. She is currently a student in Royal Holloway's Creative writing and practice-based PhD program.

Her debut novel, The Devil Makes Three, is forthcoming from Page Street Kids with a follow-up novel, Not Good for Maidens, releasing in 2022. Tori was an associate editor for Profane Journal and The Shanghai Literary Magazine and read for Typehouse Magazine.