H. Rider Haggard (1856 - 1925) was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre. He was also involved in agricultural reform throughout the British Empire. His stories, written towards the end of Victorian literature, continue to be popular and influential.

William Wilkie Collins was born in London in 1824, the son of a successful and popular painter. On leaving school, he worked in the office of a tea merchant in the Strand before reading law as a student at Lincoln's Inn. However his real passion was for writing and, in 1850, he published his first novel, Antonina.

In 1851, the same year that he was called to the bar, he met and established a lifelong friendship with Charles Dickens. While Collins' fame rests on his best known works, The Woman in White and The Moonstone, he wrote over thirty books, as well as numerous short stories, articles and plays. He was a hugely popular writer in his lifetime. An unconventional individual, he never married but established long-term liaisons with two separate partners. He died in 1889.

Gustave Flaubert was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction.

Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation.

His style moved Edmund Wilson to say,'Flaubert, by a single phrase - a notation of some commonplace object - can convey all the poignance of human desire, the pathos of human defeat; his description of some homely scene will close with a dying fall that reminds one of great verse or music.' Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.